Maya Deren. Volume one, Dances for the camera.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 50 min.) : digital, .flv file, sound
Status
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Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by ADF Video in 2002.
Description
This is a compilation of some of Maya Deren's most important films: The very eye of night, (1955) Ritual in transfigured time, (1946) Meditation on violence (1948) Study for choreography and camera (1945). These films address dance as "... the stylization of movement which confers ritual dimension upon functional motion ..." She has been described as an inheritor of the surrealists, however, Maya Deren was one of the earliest pioneers in the adaptation of dance for the camera. As a woman working in the 1940's and early 50's, her work anticipated many of the obstacles and biases of subsequent feminist discourse. Her work has long been the focus of film scholars, but neglected by those in the world of Dance/Film and Video. Maya Deren's work with Anthony Tudor and Talley Beatty among others represent seminal explorations of the possibilities of dance and the camera.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). Maya Deren . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. Maya Deren. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Maya Deren Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)Maya Deren Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouped Work ID
9fc9c721-5a4d-86cd-5fdc-9e2a43e3aa80-eng
Grouping Information
| Grouped Work ID | 9fc9c721-5a4d-86cd-5fdc-9e2a43e3aa80-eng |
|---|---|
| Full title | maya deren volume one dances for the camera |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2023-07-03 15:51:49PM |
| Last Indexed | 2024-06-26 04:15:49AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Jul 19, 2023 |
| Last Used | May 28, 2024 |
Marc Record
| First Detected | Feb 09, 2023 08:50:56 AM |
|---|---|
| Last File Modification Time | Jul 03, 2023 03:52:09 PM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 518 | |a Originally produced by ADF Video in 2002. | ||
| 520 | |a This is a compilation of some of Maya Deren's most important films: The very eye of night, (1955) Ritual in transfigured time, (1946) Meditation on violence (1948) Study for choreography and camera (1945). These films address dance as "... the stylization of movement which confers ritual dimension upon functional motion ..." She has been described as an inheritor of the surrealists, however, Maya Deren was one of the earliest pioneers in the adaptation of dance for the camera. As a woman working in the 1940's and early 50's, her work anticipated many of the obstacles and biases of subsequent feminist discourse. Her work has long been the focus of film scholars, but neglected by those in the world of Dance/Film and Video. Maya Deren's work with Anthony Tudor and Talley Beatty among others represent seminal explorations of the possibilities of dance and the camera. | ||
| 538 | |a Mode of access: World Wide Web. | ||
| 600 | 1 | 4 | |a Deren, Maya. |
| 600 | 1 | 0 | |a Tudor, Anthony. |
| 600 | 1 | 0 | |a Beatty, Talley. |
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| 650 | 0 | |a Choreographers. | |
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